3Mar/100

The letter

The day the letter arrived, I was due in court on the intricate case of Melchett vs The Vatican, which was coming to a delicate and potentially explosive stage.  The letter then came as a welcome diversion, and I tipped the delivery boy out of the window with more than ordinary generosity.  Even then, I fancy I gave a momentary shudder as I unfolded the letter, but it was a cold morning, and in accordance with Mr. Talcinghorn’s instructions w/ regard to Melchett vs The Vatican - I was naked.

The letter read as follows:
‘If Mr. John Lawson Particle will travel immediately to Transylvania, as the honored guest of Count Dracula to personally advise his Excellency on a matter of great legal delicacy, Mr. Lawson Particle will be handsomely remunerated.  He is to bring on his journey no garlic, no crucifixes, no wooden stakes.  Neither is he to look up in a dictionary, the word “vampire.”’

It seemed innocent enough.  Excited at the prospect at escaping a dreary London August, I rushed into Mr. Talcinghorn’s office.  He read the letter through and eyed me carefully – then he looked at my face.

‘You don’t find anything strange in this letter, Mr. Lawson Particle?’
‘Ah, you noticed it too, sir.  The split infinitive in the first sentence, yes.’
‘Uh, no, I was thinking… nevermind.  You plan to go on this sui- on this fascinating journey?’
‘With your permission, sir, I will go straight home, dress, and take the first train to Southampton.’

Four days later, saw me standing at the gates of Castle Dracula, weary and travel-stained.  Prudence had demanded that I leave her behind, so I was alone.  Night was just falling as I knocked on the mighty oaken door and heard the answering echoes ring through the castle.  After what seemed a cliché, iron bolts were drawn back, the portal swung open, and Count Dracula’s manservant stood before me.  Of all the hideously disfigured spectacles I have ever beheld, those perched on the end of this man’s nose remain forever pasted into the album of my memory.  Bowing low, this loathsome wretch introduced himself.

‘Travolta, sir, at your servile. If you will follow me, I shall tell the master you have arrived.’

Walking with a pronounced limp, L-I-M-P pronounced ‘limp,’ he showed me into a waiting room – Sorry, into a ‘waiting-room,’ and vanished.  Presently, he returned with his master.

‘Ah, Mr. Lawson Particle,’ cried the Count, ‘welcome to Castle Dracula.  Dinner is in half an hour if you would care to change.  We can leave business until tomorrow.  Travolta will show you to your room.  Tell me, what blood type are you?’
‘Eh.’
‘I said “what blood type are you?”’
‘Oh,’ I said, ‘B.’

I tried to question Travolta as I dressed for dinner.  I asked him the nature of the count’s business, but he made the sign of the cross and said nothing.  I asked him why there were no mirrors in the castle, but this time he made the sign of the very cross indeed and spat openly.  This was puzzling.  I couldn’t see myself spending a month in a house without mirrors.  The man was either mad, or both.

‘Cape on for dinner, sir,’ said Travolta as we descended the vast stairway.
‘Capon!  Yummy!’ I replied.
‘No, sir, the count always insists that his guests put a cape on for dinner.’

And what a dismal repast it was.  I passed a fitful night in my vast bedroom.  Below me I could hear the count’s footsteps echoing in the hallway.  I arose early, made my toilet, sat on it, then came down for breakfast.

Travolta informed me that his master had gone to bed at dawn, and would expect me in his study later that evening.  It was a dreary morning.  The greatest excitement I had to look forward to that day was the prospect of a total eclipse of the sun, which was expected during the afternoon. When the time came, I watched through a fragment of smoked glass, as the moon slid slowly across the surface of the sun, and darkness shrouded the Earth.  I started at the sound behind me.  By the dim light of a candle I had prudently placed on the table, I could see that it was Count Dracula – my client.

He seemed a little excited.  A tendril of spaghetti appeared to be protruding from either side of his mouth.

‘Why, good afternoon, count,’ I cried, ‘I wasn’t expecting you until this evening!  Have you come to enjoy the spectacle?’
‘Spectacle?’
‘The solar eclipse!’

He looked out of the window.

‘Solar eclipse?’
‘Yes, it’s the first total eclipse I’ve ever seen! Exciting, isn’t it?’
‘Oh…. Shit….’
‘Um… is there something wrong, Count?’
‘How much longer is it going to last?’ he cried, and I could see fear in his blood-red eyes.
‘Well, it’s just ending now!’ I replied, ‘look at that!  Splendid isn’t it?’

I turned in time to watch the moon moving slowly away from the sun, and light once more flooding the scene.

'Have you ever seen anything so... Oh.  Count?’

But he had disappeared, leaving his cape behind him.  In his hurry, he must have upset the ashtray on the floor beside him.  I never saw him again.

26Feb/100

Good heavens, sir, I saw a pig flying past the window.

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.

31Jan/101

My inability to ‘join in’

This is an excerpt from 'Moab is my Washpot,' and while the subject and situation are different, the underlying tones are the same. It touched me when I read it those years ago, as it does every time I read it.

...The tribal belonging, the sexual association, the sense of party — these are what popular music offer, and they have always been exclusion zones for me. Partly because of my musical constipation — can’t dance, can’t join in the chorus — partly because of my sexise of physical self, feeling a fool, tall, uncoordinated and gangly.

On the other hand I’m not Bernard Levin. I am not in love with the world of classical music or set upon the intellectual, personal or aesthetic path of a private relationship with Schubert, Wagner, Brahms or Berg. Nor am I a Ned Sherrin, devoted to the musical, to Tin Pan Alley and twentieth-century song. I did well professionally first crack out of the box with a stage musical, but musicals don’t mean much to me. I am not a show girl I fear.

There is no proper way for me to express what music does to me without my sounding precious, pretentious, overemotional, sentimental, self-indulgent and absurd. No proper way therefore to express either what it has done to me over the years to know that I would never be able to make music of even the most basic kind.

I would like to dance. Not professionally, just when everyone else does.

I would like to sing. Not professionally, just when everyone else does.

I’d like to join in, you see.

Guilty feet, as George Michael tells us, have got no rhythm.

I can play... I mean, as an effort of will I can sit down and learn a piece at the piano and reproduce it, so that those who hear will not necessarily move away with their hands clutched to their mouths, vomit leaking though fingers, blood dripping from ears. Then of course, a piano needs no real-time tuning. I strike middle C and I know that middle C will come out. Were I to try and learn a stringed or brass instrument that needed me to make the notes as I played, then I hate to think what might be the result. Playing the piano is not the same as making music.

None of this is important in itself, but I feel somewhere that it has a lot to do with why I have always felt separate, why I have always felt unable to join in, to let go, to become part of the tribe, why I have always sniped or joked from the sidelines, why I have never, ever, lost my overwhelmingly self-conscious self-consciousness.

It’s not all bad. Heightened self-consciousness, apartness, an inability to join in, physical shame

and self-loathing — they are not all bad. Those devils have also been my angels. Without them I would never have disappeared into language, literature, the mind, laughter and all the mad intensities that made and unmade me.

Blogroll

Piffle Archives

About/Contact